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Article #2.1. When does Geometry turn to be Sustainable or Sacred? Extract from the first chapter of the book “El poder de la vida” (The Power of Life)

Sustainable Geometry, Sacred Geometry and Psychogeometry
(updated 4 September 2009)

"Sustainable Geometry is the study of the mathematics of life. It is a metaphor of the Order of the Universe: the study of the proportions, patterns, systems, codes and symbols which make up the underlying, eternal source of life for matter and spirit. Sacred Geometry is the fingerprint of Creation and the genesis of all life forms.

We dwell in a semiotic universe, i.e. a universe built from processes of meaning. We elaborate these meanings from codes, structures, languages and symbols. Nature also has its own language: the geometric language. It makes use of Sacred Geometry to create life. Apart from this, different cultures have used its laws and codes to reproduce the harmony of the universe in distinct human manifestations.

There currently exists a remarkable movement to remember those laws and apply them to the creation of structures more suitable to the principles of life. This application is present in art, architecture, design, science, cutting-edge physics, geomancy, music, mathematics, the DNA, the Earth reticules, color study, animals, geology, the sacred languages and ancient architecture.

Though the birthplace of culture in the world is the Arab culture, Sustainable Geometry has been practiced for centuries and its knowledge has been linked to the most important civilizations and cultural manifestations  of our times: the Greeks, Renaissance, Mayan, Teotihuacan, Hindu, Chinese and Persian, and, in the present, the scientific community, among others. Sustainable Geometry is the language of life that different cultures have imitated and adopted so as to create their manifestations of art and knowledge. It was not created by a specific society but it has been used by many societies in different times that observed the mathematics of life and reproduced it. It is a code that belongs to humanity itself as everything in natural life is created by the principles given in the universe.

Geometry is a branch of mathematics that studies idealizations of space such as points, lines, straight lines, planes, polygons, polyhedrons, curves, surfaces, among others. It is used for solving precise problems and the theoretical justification of many instruments like compasses, theodolites y pantographs. But… What is sustainable in this? When does geometry acquire a quality of sustainability?

Since ancient times, this knowledge has been valued by certain cultures and used to build temples, worship sites, palaces, churches, mosques, pagodas, etc. This is the reason why Sustainable Geometry has been known as Sacred Geometry. Sacred art established a difference between the mundane, the profane and that of divine or superior kind. This resulted in a breaking between the geometric information given to population and the type of geometry that served to build temples and palaces. Sacred Geometry has been referred to field which has the capability of recreating the principles of life by imitation, i.e. a type of geometry for the creation of art and architectures dedicated to divinities. In different times and cultures, there always existed groups of people who were knowledgeable in this subject and had the responsibility of protecting and transmitting it only to those considered as able. Why has this knowledge been kept so carefully? Because they represent the codes of life, those which serve to lead the human conscience, and to structure patterns of social and cultural performance that prevails over time.

However, we will not be able to completely understand this type of geometry in its thorough scope if we do not remove the religious connotations and place it in a scientific context. Only if we conceive the term “sacred” to be similar to “sustainable”, will we be able to pass through that veil that has been overshadowing this wonderful knowledge. Sacrality as associations with the religious makes us think that the only sacred thing is religions. Yet, there is no greater sacrality than Nature itself, the universe itself and its countless manifestations. Analyzing the concept of sustainability leads us to the meditation and practice on the use of Geometry. Geometry turns to be sustainable or sacred when it creates or allows for the unfolding and evolution of organic life, of the material conscience of Cosmos.

Sustainable geometry is based on sustainable mathematics. There are at least three different levels of mathematics, as it is stressed by the American mathematician M. Schneider: the secular, the symbolic and the sustainable or sacred. Secular mathematics is taught at school; it recognizes numeric quantities and its daily use is applied through the calculator, when adding up when shopping, weighing ingredients, counting votes, calculating taxes, subtracting figures for immediate purposes, etc. This is the profane maths. Then, symbolic mathematics involves its philosophic and symbolic aspect, and its direct relation to the understanding of the maths of Nature. It relates numbers with shapes in harmonic patterns. It finds archetypal principles symbolized by numbers and shapes, and their arithmetic and geometric relations. It is useful for us to get close to the marvelous book of Nature. Last, sustainable or sacred maths is related to the sacred sites, geography, architecture, arithmetics and geometry. These terms may seem at first sight a bit confusing nowadays, but in ancient times, the sacred was understood as a whole, what we now call holographic reality or fractal field. Sustainable mathematics studies the fractal geometry field.

Sustainable math lessons are used for designing sustainable architecture and sacral art (in ancient times, for creating temples or worship places), and they are applied functionally (not only intellectually) to facilitate the growth and transformation of conscience. For example: sustainable maths considers even numbers and curve lines as elements that refer to the feminine conscience, whereas the straight lines and the odd numbers denote associations with the masculine. The ancient principle of harmony meant “assembling together”, as it was related to the fact that we live in a universe where every single thing is connected with every other thing. We live in a Cosmos (in Greek, it means “woven”, “intertwined”) with laws, geometries and mathematics specialized in the creation of diversity; and the study of sacred maths allows us to have in-depth comprehension about the bases of the maths of life.

Geometry is referred to as the branch that studies the properties of shapes in a plane or space. However, if we go back to its etymological origin, we will find that the Greek root “geo” means “earth”, and “metry”, “measurement”. If we only take this limitedly, we can merely consider Geometry as the study of the Earth proportions. However, this definition is far from being exact, as the Greek prefix “geo” does not only mean “earth” but also “earth” or/and “matter”. Thus, the correct definition of geometry is: the study of the proportions and measurements of the matter, that is to say, which constants are necessary to make up matter, to solidify energy into matter and matter into energy. In Alchemy, geometry represents the key that holds the principles to transmute lead into gold and vice versa, i.e. the dense into the subtle and the subtle into the dense.

So in this way we understand that sacred or sustainable geometry is the science that studies the proportions and measures of matter and energy in relation to the principle of sustainability creating Life, but... Who invented sacred geometry? Where does it come from? No religions, no peoples, but the universe itself creates it. Sacred geometry is the code of codes, a meta-structure which the matter is literally made up from. The matter elements emerge from geometric arrays only understandable if we know this coding basis. It is intrinsic inheritance given to humans by the right of life – we are living geometry. We have to do nothing to conquer the wisdom enclosed in our being; we jus have to let it express itself.

Throughout history, different peoples have imitated and expressed the principles of sacred geometry in their culture. However, this knowledge has not been revealed in all of the cultural realms, but only in those considered sacred. We find manifestations of sustainable geometry in different times, ages and latitudes, penetrating music, architecture, painting, sculpture, art, dancing, and knowledge systems. This code, when substantiating in peoples, acquires diverse hues with distinctive features of aesthetics and functionality; and it adjusts to every period of time and latitude round the planet. Nevertheless, not all cultural manifestations echo with life as only certain human expressions are bearers of the seed and the codes that have built the basis of the cultures in the world.

From Sumer, the birthplace of civilization according to historians, three branches of knowledge stretch out, passed on like a lighted torch reaching our times. One branch unfolded in Egypt, Greece, Rome, and Medieval Europe and, with the discovery of America, reached the USA. Another passed from Sumer to Persia and penetrated the sublime geometry of the Arab world. And the third extended from Sumer to Indo, China and finally to Mesoamerica.

The practice of geometry dates back from ancient Egypt from which the Greeks inherited their program of four subjects, the Quadrivium. Geometry is the study of the spatial order by the measurement of the relation of shapes. Geometry and arithmetics, along with astronomy – the science of temporal order by the observation of cyclic movements- encompassed the major intellectual disciplines of classic education. The fourth element of the Quadrivium was the study of harmony and music. Plato considered geometry and numbers as the most reduced essence and, as such, ideal of philosophical language.

The cultures of India, Tibet, Islam and Medieval Europe have produced mandalas and sacred diagrams in abundance. The tribal cultures use them in painting as well as in construction and dancing. The mandalas represent the symbol that is thought as the essential structure of the universe. The essence of Cosmos underlies its sacrality. On the other hand, just as there are peoples and cultures that echo with the geometry patterns that create life, evolution and development, there are also those that do not use them at all. From the first peoples, which did use those patterns, the manifestations in any order have been so powerful that they have penetrated time and reached the present in the form of impressive architectural sites, art, music and of scientific knowledge.

There are essentially two types of culture: natural and artificial. A natural culture is that one whose people use mathematics and geometry of life respecting Nature, and join the cosmic dancing of creation. This culture is self sustainable, its “waste materials” are not waste, but, similar to Nature, they nourish something else in the chain of transformation.  Artificial cultures, on the contrary, are those that are against the natural law of the sustainability universe; they break the chain of nourishment and generate such an amount of waste that it can’t be assimilated by other organisms. Such is the case of the western culture, highly sophisticated in certain aspects, but destructive in most of those aspects related to the permanence of organic life. Our society has become so artificial and detached from natural life that, as a consequence, almost all our artistic, cultural and religious expressions are equally artificial and do not resound with the geometric flow of the Cosmos.

The term “sacred” is equal to anything that is sustainable, i.e. that can sustain itself. But what is needed to be sustainable? It needs certain symmetry to be able to reproduce at different levels.  It needs certain patterns to repeat in different stages or fields of conscience. This is called fractal. The sacred is self sustainable when it is fractal. The concept of “fractal” was first postulated by Mandelbrot, a Polish mathematician, so as to define a geometric object whose basic structure repeats in different scales. The term “fractal” is an anglicism created from the Saxon word “fract”, or fraction, and the word “all”, meaning “everything”.

One of the most thorough definitions of a “sacred” or “sustainable” thing is brought forth when the sacred is conceived as a fractal universe: the sum of all parts in each one of the parts. Where can we find a precise example of this profound notion? In our own body, in the core of the cellular nucleus, in the DNA. En each cell of the body there is the necessary information and symmetry to create the entire body under appropriate conditions. In each part of this whole, there is the whole. This concept gets closer to the notion of “the Absolute”. The Absolute is not understood as the unconditional or as that which does not depend on anything by itself, but as that which is intimately overlapped with the rest of the model, as it is contained in each one of its parts. This can be viewed in various spheres of mirror where the image in each one of them is repeated in all the others.

We are witnesses of a shift in the scientific conception of fundamental nature or matter. Matter was considered as substance (particles, quantums), but presently we know that the fundamental nature of the material world can only be known through the patterns that underlie behind matter and that exist as forms or geometric structures of waves. Our organs of perception as well as the phenomena world that we perceive seem to be better understood as pure pattern systems o as geometric structures of shape and proportion.

Thus, throughout human history, scientists as well as many ancient cultures have decided to examine reality through the metaphors of geometry and music. Music is the study of the proportional laws of sound frequencies. The science of musical harmony is identical to the science of the symmetry of crystals when we take matter as a reticule of interspaced waves at determined intervals. A modern viewpoint of the field theory and the wave mechanics corresponds to the ancient vision of harmony-geometry of the universal order as an intertwined configuration of wave patterns.

Biology studies the photosynthetic process of plants (the biological process of plants to synthesize sunlight), among other things, and shows us that this process can only be carried out because the carbon, hydrogen, nitrogen and manganese in a chlorophyll molecule are arranged in a complex symmetric pattern of twelve foldings, as explained by the English geometrician R. Lawlor."

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Free videos

Conference of Psychogeometry and Sacred Geometry in the First International Congress of Biological Architecture and Sustainable Design 2007 at Iberoamericana University
Video 1/5

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Book of Sacred Geometry and Psychogeometry I
The Power of Life
In Sacred Geometry
And Biological Architecture
On sale now!

Click on the image to view part of the book

• 390 images of Sustainable Geometry
• 202 pages of deep, enjoyable reading

With this book, you will learn:

• Math bases of Sustainable Geometry
• The meaning of geometry in life
• The significance of learning and familiarize with our own subtle bodies
• The hidden definitions of geometry, the math constants and their relation with life
• The geometric constants and their application to graphic and architectural design or the analysis of commercial logotypes
• The presence of certain patterns in Nature, human body and face, and plants and animals
• The human toroids and their relation with sexual energy in healing processes
• The characteristics of the five Platonic solids
• The thirteen Archimedean solids
• The geometric basis of the chemical elements
• The laws of creation
• Sustainable Geometry in the DNA
• Principles of the therapy of polyhedrons and biofeedback
• The planetary webs
• Biological Architecture
• The meaning of living in spaces built as biological capacitors in contrast with artificial accumulators
• The relation between architecture and health
• Ancient architecture and its key principles to generate greater coherence
• The way temples, mosques, synagogues, pagodas, houses and cities were built to make them healthy
• List of materials to use according to their level of fractality and resonance with life
• The relation between numbers and Sustainable Geometry to introduce a summary the ten archetypes and their numerological and symbolic relation with geometric design

You will also learn more than thirty kinds of lines of Sacred Geometry.

• Layouts with the Golden Number
• Golden-cut line
• Golden rectangle
• Golden spiral
• Layouts of geometric constants: √2, √3, √5
• Layouts of the Flower of Life
• Pattern of the Genesis: Seed of Life
• Flower of Life
• Tree of Life
• Fruit of Life
• 5 Platonic Solids
• Mother Star
• Tube Torus
• Layout of the Pentaflower
• Pentagon
• Pentagraph (star of five points)
• Pentaflower
• Layouts for design
• Squares and harmonic rectangular extensions
• Enrooting the layout: harmonic relation
• Building three-dimensionally the patterns of the 5 Platonic solids and the 13 Archimedean solids

"This book is the first one of a series about the study and scientific exploration on how Geometry allows for the emergence of life and conscience. This book analyzes and summarizes more than eight years of research and teaching in different fields: psychology, architecture, physics, music, art and therapy. After years of sharing courses and workshops around the world – especially in Spanish-speaking countries- we lived deep experiences of transformation and understanding of the code of life. Through a number of courses that structure the backbone of the pedagogical program of Psychogeometry, we have come up with these observations, reflections and proposals about Sustainable Geometry. Our research is centered on meditating upon a central question: Which is the dynamics and structure of life? This leads us to question, e.g. How does life happen? How does it keep itself alive and transform? How can we recreate its principles so as to help build healthier societies, in accordance with the wisdom of Nature? Is there a code that unifies and comprises, in a knowledge system, the multiplicity of contradictions that boast culture, religions and science?

With these questions in view and with a profound appetite for knowledge as motivation, throughout more than twenty years of personal inquiry, we have found a source of information that underlies these questions as a vital impulse: the maths expressed in geometry. The study of this kind of geometry, different from that taught at school, needs us to get involved with every living thing; it demands that we establish webs of associations with everything around us, and not just to study numbers separated from life or geometry lacking a substantial sense. That means to study these concepts according to their qualitative level, i.e.: what is the meaning of living in cubic structures as the ones in big cities? Which proportions do the great masterpieces have to penetrate time and come to present as key pieces of culture? Why is every living protein pentagonal and does not have any other geometry? Why does the DNA have a dodecahedral form like the Universe itself? If this knowledge is transcendental for the human being and its evolution, why has it belonged to selected groups of power, in secret societies where only a few “knowledgeable people” have been able to access its benefits?

The different degrees of reality perception must not be thought of as substance differences but as differences of geometric proportion and arrangement of its wavelengths. For example, when we smell a rose, we are not responding to the chemical substances of its perfume, but to the geometry of its molecular construction. That is to say, geometry determines substance condition. In the same way, we do not hear simple quantitative differences in the sound wave frequencies, but logarithmic differences, proportional between its frequencies and expansion that constitute the base of geometrical spirals. The content of our perception experience results from the immaterial, abstract geometric architecture that is made up of harmonic waves of energy, nodes of relation, melodic forms that emerge from the eternal source of geometric proportion. Let us remember that, according to the theory of Unified or Fractal Field, scientists state that the entire Universe is composed of only one substance. We can call it as we want to: the Absolute, Essential Being, God, etc.; the question is that scientific comprehension of reality tells us that all is One expressed in infinite possibilities.

In this scientific perspective book, we approach crucial topics for the awakening of daily life conscience. This book can be read in four ways: as a source of intellectual information, as an emotional trip into the origin and evolution of our life and its relations, as a series of exercises to develop specific skills or, lastly, as the collection of the previous three, giving us a richer vision in context, more global and deeper in spiritual complexity: a profound awakening of conscience.

As every search focused on researching the mysteries of life, we started this way to know the mystery of the unsaid, of the incommunicable. In the end, we have just gotten closer to ourselves and the intention of sharing this global vision that can help you unify your objective and subjective realities in order to live in greater joy.

That mythical place which we can get closer to is a space in which we dwell if we open our heart, if our minds give up the desire to lead, if we let the force of life that we are manifests naturally, without armors. The inner trip has been guided by intuition and systematized by intellect to materialize it into the concrete action of helping others in the continuous, unstopping way of awakening. Helping each other to wake up from our own dream, our own illusions. It is a quest where the eyes are the united eyes of the heart, sex and intellect walking in unison. It never finishes, the way comes back itself, but the journey gives us back the chance of seeing ourselves and a poetic expression, a manifestation of the fractal field, in the Other, in the different. "

Extract from the Introduction of the book "El Poder de la Vida"

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Article #2.2. Sustainable Geometry = Sacred Geometry?

® All rights reserved. Author: Arturo Ponce de León. Collaboration: Ninón Fregoso. License granted to reproduce the content on this site only if the source is quoted and text integrity is unaltered.

Mother star - 5 Platonic solids self-contained (image by Heartcoherence- Dan Winter).

Introduction to the Study of Sacred Geometry – Scientific Approach

Sustainable Geometry is the study of the mathematics of life. This science, anciently called Sacred Geometry, gives us the capacity to create spiritual and material life. On the basis of certain proportions, patterns and arrangements of waves, we are able to recreate the necessary conditions for our conscience development, lifting our life quality and loving capacity.

In science, we are witnesses of a shift in the way fundamental Nature, also called matter, is perceived. Matter was seen as substance (particles), but presently we know that the fundamental nature of the material world can only be known through the patterns that underlie behind matter and that exist as forms or geometric wave structures.

Our organs of perception as well as the phenomena that we perceive seem to be better understood as pure pattern systems or as geometric structures of shape and proportion. Thus, throughout human history, scientists as well as many ancient cultures have decided to examine reality through the metaphors of geometry and music. Music is the study of the proportional laws of sound frequencies. The science of musical harmony is identical to the science of the symmetry of crystals when we understand matter as a reticule of interspaced waves at determined intervals.

In Biology, the fundamental role of geometry and proportion turns more and more evident nowadays. We must revise our ideas about genetic codification as a vehicle of replication and continuity, as this replication does not only rely on particular atoms of carbon, hydrogen, oxygen and nitrogen, which are the substances making up a gene. The DNA has the function of preserving life; it is not only its molecular composition what favors that extraordinary task, but also its helicoidal form based on a long spiral of unfolded dodecahedrons. Thus, we assume that the existence of geometric patterns and exact proportions is prior to substance itself. Life started without the need of a material counterpart. In other words, the molecule of DNA, different from any other molecule, is the bearer of life. Its fundamental characteristic is its geometric structure that is able to organize wave-particles and allow frequency and wave voltage to implode and distribute in such a way that it creates a vertex of suction and prevents the destruction of other waves and its own ones.

To give an example, biology studies, among other things, the photosynthetic process of plants (the biological process of plants to synthesize sunlight) and shows us that this process can only be carried out because carbon, hydrogen, nitrogen and manganese in the chlorophyll molecule are arranged in a complex symmetric pattern of twelve foldings. Spatial awareness, at a cellular level, must be thought of as the innate geometry of life.

The different degrees of reality perception must not be thought of as substance differences but as differences of wavelengths, of proportion. For example, when we smell a rose, we are not responding to the chemical substances in its perfume, but to the geometry of its molecular construction. That is to say, geometry determines substance condition. In the same way, we do not hear simple quantitative differences in the sound wave frequencies, but logarithmic, proportional differences, between its frequencies and expansion which constitute the basis of geometrical spirals.

According to the theory of Unified Field, our scientists say that the universe is composed of only one substance. Let us call it God, the Absolute, Ether, etc.; the ultimate understanding of reality tells us that all is One.

 Our range of sensory perception determines the universe we live in, in such a way that our senses receive a range of waves from the electromagnetic field. For example, our eyes perceive a particular range of frequencies that allow us to distinguish colors; our ears receive other range of waves from the same electromagnetic spectrum. The same happens with the senses of touching and smelling. Thus, we can understand that our organs of perception receive proportional relations as a source of geometric perception.

Considering our body distribution, we can highlight that it is made by multiples of five, which is in intimate relation with our capacity to distribute life. As we are widening our capacity of perception, we tend to organize our world in visual, audible and visible spaces in geometric manifestations of order frequencies, this happens because it restores the capacity to create our inner selves. Thus, this explains the necessity of many cultures to create artistic manifestations using Sacred Geometry.

 Human conscience is the only ability to perceive the transparency between the permanent and absolute relations, contained in the unsubstantial forms of the geometric order and the transitory forms of our real world. The content of our experience results from the immaterial, abstract and geometric architecture that is composed of harmonic waves of energy, nodes of relation, and melodic forms that flow from the eternal source of geometric proportion.

The practice of geometry dates back from ancient Egypt from which the Greeks inherited their program of four subjects, the Quadrivium. Geometry is the study of the spatial order by the measurement of the relation of shapes. Geometry and arithmetics, along with astronomy – the science of temporal order by the observation of cyclic movements- encompassed the major intellectual disciplines of classic education. The fourth element of the Quadrivium was the study of harmony and music.

Plato considered geometry and numbers as the most reduced essence and, as such, the ideal of the philosophical language. The cultures of India, Tibet, Islam and Medieval Europe have produced mandalas and sacred diagrams in abundance. The tribal cultures use them in painting as well as in construction and dancing.

The mandalas represent the symbol that is thought of as the essential structure of the universe. The essence of Cosmos underlies its sacrality, and one con only access sacred geometry through meditation in Unity, followed by the attempt to symbolically visualize the formal order and to contemplate it emerging purely from the incomprehensible Unicity. We must remember that ancient geometry starts in One, while modern maths starts in zero.

The unfolding of this unity into divisions is the very first act of Creation. Thus, Unity does not lose its unicity or its sacrality to unfold and create life when it is divided according to the golden mean ratio or golden proportion(the Greeks called it that way). To make a cut that divides a straight using the Golden Mean Ratio implies a cut in the unity at the rate of phi (0.618033...).

In ancient times, Euclid was the one who solved the problem to find the Golden Ratio of a straight line. Any line can be divided in numerous ways, but there is only one way to divide this line infinitely inwards and outwards.

In the figure we can see that the Unity (the straight line with a value equal to 1), when cut by this proportion, allows the smallest segment to be to the biggest one as this is to the whole.

In this way start the expansion and contraction of life; and this process is sacred due to the fact that, even though we can change the line’s size (Unicity), the cutting proportion never changes. Dan Winter tells us that “scales are profane, but proportions sacred”. The golden proportion can be reproduced infinitely inwards and outwards, always generating the same proportion. Life unfolds naturally in this way and seeks to adjust to it.
             
Energy and matter

Now, let us imagine that this substance called Ether or Unified Field as jelly. The first organizational movement is that of a spiral that spins on its own axis and is self-recurrent. When making this first movement, we can see the layout of a tube toroid. This image let us comprehend that the Universe is made of self recurrent waves. These waves organized in the tube torus are the basis of Creation. With the passing of time, various tube toruses nest fractally. The term “fractal” refers to a characteristic of an object to make the whole of its parts be contained in each one of its parts.

Therapy and Subtle Bodies in the Human Being

"The human being has other subtle ones in addition to its cellular body. The electromagnetic body, aural or etheric is the one studied by the Eastern philosophies for millenniums and from some decades ago by Western science. If one strokes his hands for a few seconds, it can be perceived a pillow of energy (heat or coldness in the hands). And if one passes his hands all over his body without even touching the skin, the power of that energy field increases. That is the subtle body that tends to chaos and has its phisiological basis on the seven glands of the endocrine system represented by the electromagnetic fields of the 7 chakras of the Hindu system, the acupuncture channels and the Nadis. It creates a complex halo that surrounds the cellular body forming a kind of egg, an oval. When we work on this body, the energy perceived is slightly hot, as if we had a king of glue/adhesive beyond skin.

A subtler body than the electromagnetic one is the gravitational body also called astral. It has the shape of a toroid; it crosses and covers the entire cellular body. We have a great vertical toroid in our body whose vacuum passes through our spinal cord and its outermost part surrounds the body to the distance we reach with outstretched arms. Besides, there are 13 horizontal toroids in the boy which correspond to the 13 chakras of the Egyptian system. “Chakra” means in Sanskrit “wheel” and they are conceived as energetic vortices located in the human subtle bodies. Its task is the reception, accumulation, transformation and distribution of the bio field, also called “prana” or subtle energy. The biofield comprises the whole of the subtle bodies that revive the cellular ones.

A body even subtler is the fractal one. This is called in different ways: inner master, inner self, essential guide, etc., but these do not imply that it is inside something. On the contrary, it penetrates all possible human dimensions; it is a body imbricated in all the others. A body of pure conscience. Paraphrasing Gurdjieff, Russian mystic and philosopher: the soul does not exist, it has to be created. It is created with the weaves of willingness and conscience, by the patterns and forms of the Sustainable Geometry. It develops by uplifting the level of harmonic inclusiveness of the different fields of electromagnetic, quantic and gravitational charge that co-exist in the DNA. All religions and philosophies speak about a development of the subsequent capacities of the human being. To do so, it is indispensable to take humans as beings in constant transformation. Transformation implies the re-composition of geometric forms that necessarily make us think of a universe related by means of toroidal links. "

What is health/illness? 
In Psychogeometry, we encode the Form, the Geometry in different harmonic frequencies that can be translated into thoughts, emotions or actions.

Fractal

"A fractal is a geometric object whose basic structure repeats in different scales and, in many cases, fractals can be generated by a recursive or iterative process, able to produce self similar structures independent from that specific scale”.

"The fractals are geometric structures which combine irregularity and repetition of a structure. Though many natural forms have fractal-like structures, a mathematical fractal is an object that has at least one of the following characteristics: it has details in arbitrarily small scales; it is too irregular to be described in traditional geometric terms; it has exact or statistic self similarity; and can be defined in a recursive way. Remember that the dodecahedral structure that makes up the DNA is the same as the structure of the planetary reticule and as the dodecahedral structure of the Zodiac. "

This allows the energy of life to transmit among models of different size but of identical proportion. The interconnection of our life with all the world of Nature is intimate. Sacred geometry gives us the chance to establish the same language and communicate harmonically among beings of different species.

"Some of the mathematical formulas for the creation of fractals are: Mandelbrot, Julia, Lindenmayer, Halley, Quaternion y Biomorph. In 1993, the American researcher M. Theroux added the value of phi in the creation of fractals with the help of the software Fractint 17.2, which allowed him to reproduce some biological processes in virtual reality. In this process he achieved incorporating the creation of self similarities (process that allows him to evolve in order to interact with his environment while it keeps the original form of the species.)".

In the picture below is a fractal of an animated dodecahedron. The DNA molecule has dodecahedral symmetry since it naturally incorporates the golden ratio due to because of having 12 pentagons. This allows swallowing or compressing waves from the exterior to the interior. The dodecahedron symmetry, when imbricated in a reticule or net in the planet, conjugates with the dodecahedron represented by the 12 houses of the Zodiac. A fractal that enables the heterodynamic conjunction of waves, i.e. the resonance of forms for communication in different reality levels.

 

This image represents a fractal in an icosahedron... Let us consider the water element since a molecule of water, different from being what is seen in the plane (as a hexahedron), is an icosahedron! This pattern is ideal for harmony and healing of the emotional body.

The pentagonal fractal in a rose is evident. Nature invests great effort in creating these forms, not only for aesthetics or function but also for gravity. Literally, when electromagnetic energy, which is chaotic, arranges in Sacred Geometry patterns, it is sucked by a vortex and creates a toroid. This toroid is what organizes and orders energy and generates a zero point, a life point. A space where life can prosper and reproduce. This can be found extensively in Nature, in the ramification of the heart and of every living thing.

Have you ever wondered why in the quiet centre of a hurricane we can see a pentagonal star? What does Nature seek to create with that geometry? It seeks, among many other things, to distribute and share energy in different levels. And the pentagon takes care of that because of having the golden relation inscribed (1 rate of 1.618 times).

Pentaflower and the Flower of Life

That is why in the process of creation we first find the chaotic electromagnetic energy that arranges itself in a recurrent pattern around a zero point so as to start spinning round this point; thus, by creating a toroid, it stores spinning inertia. Suction creates gravity, in addition to the light speed achieved by the non destructive wave arrangement in this toroid. Scientifically explained, gravity is the non destructive acceleration of voltage waves, of the electromagnetic power. In other words, geometrically speaking, first comes the suction of spirals, the tube torus or toroid, represented by the Pentaflower (which is a toroid seen from above) and then comes the pattern of the Flower of Life.

First comes the vacuum that suctions the energy from inside to outside and then the golden spirals that order and distribute information and energy. Once they are stored in a toroid, it gathers centripetal force and irradiates gravitational power. In mathematical terms, we first go through the numeric Fibonacci sequence (0, 1, 1, 2, 3, 5, 8, 13, 21, 34, etc.) and once the toroidal cycle has completed, this meta-unity is reproduced in the pattern of the binomial numeric sequence.

The Pentaflower is the image of the molecule of DNA, life itself, and it is made up of 10 counter-rotary golden spirals, five in one direction and the other five in the opposite. That is the two-dimensional view of a toroid. It serves to create a zero point, an implosion movement and an energy explosion to create matter. It is an extraordinary image to harmonize and reestablish an order of life.

From the Pentaflower to the Flower of Life: As it is adequately expressed by the way that the sperm goes (free, chaotic energy) looking for the zero point in the egg cell. For a difference of gigantic electric potential, the egg cell suctions and implodes the sperm, taking it along a spiral into the center, into the nucleus and creating a toroid. Once the toroid is completed, passing from the closed circle in itself to the toroid that assimilates the exterior inwards and vice versa, the sequence of duplication, retention and accumulation representing the Flower of life is fixed.

3D animated geometry (new)

Pentaflower in angular view

Pentaflower lateral view

 

Pentaflower superior / inferior view

Pentaflower superior/ inferior view

Phi, the Golden Number; the Golden Mean Ratio

Phi is one of the three irrational numbers of major importance in mathematics, along with Euler y pi. Phi is a number that can derive from the Fibonacci numeric sequence or from geometric cuts. Phi, for being irrational, is infinite. Phi, as we have said before, equals to 1.618033...
The Golden Number is one of the greatest treasures of geometry. The astronomer Johannes Kepler said that phi is the first of the treasures and the Pythagoras theorem is the second. In a triangle, phi forms the dimensions of the great pyramid of Egypt. With a ruler and compasses, we can create the golden rectangle. This is extensively used in architecture. For example, it was also used in the construction of the Greek Parthenon. Phi also determines the dimensions of a pentagon.

In this image we ca see the way in which the golden mean ratio governs the lines of the pentagon. A:B as B:C, as C:D, to a rate of 0.618033 (the opposite of phi).

Fibonacci Numeric Sequence

The Fibonacci numeric sequence arises from the sum of the two previous figures, whichever those first figures are. From the vacuum and the unity, i.e. from 0 and 1, the sequence starts: 0,1,1,3,5,8,13,21,35, etc.

Phi derives from this sequence by dividing any number by its immediate previous one. It is important to notice that, as we get far from 0 and take bigger numbers, phi is getting more refined. Thus, the value of phi for the 6th and 56th number is of 1.6666..., whereas the value for the 30th and the 29th is of 1.6180339887... Phi (pronounced /fee/), 1.618033... can be derived in three ways: mathematically, geometrically and by numeric sequence.

In the human body, the navel marks the golden mean ratio in relation to our total height and the nose in relation to the height of the skull. In the inorganic world, it appears in the number of rays that comes out of a single ray of light, that reaches the surface of two of glass sheets in contact, and emerges in the sequence  of the electrons in an atom of hydrogen when shifting its energy state and jumping from the inferior orbits to the superior and then returning to its original state.

Golden Spiral

The golden spiral is one of the forms that innately express the perfect harmony of the Universe. This image is built upon golden triangles and we can clearly see it in the shell of the Nautilus (see more information in our section of mathematics). The golden spiral is the way that follows the waves (life) to get in or out from the zero point - the origin of life, the vacuum.

Vesica Piscis- Cellular Mitotic Reproduction

We have said that the creation originated from the vacuum, and from this, the Law of Unity. This law, established in the tube toroid, is the creator of our conscience when we locate, in any of its extremes, our attention focus and create another tube toroid. In the pattern of the Genesis, it is the second day of creation on which light is created. That is the arising of the apparent duality and the true birth of the Geometric Group Theory. From this spiritual movement emerges the Vesica Piscis. Its shape is the same as that of any thing from which light or energy/matter comes in or goes out. The shape of our eyes, the vagina, the urethra, etc. are examples of it. In this figure, the square root of 2, 3 and 5 is contained.
     

Seed of Life

It represents the beginning of Genesis. The Egg of Life refers to the lines that come from two imbricated tetrahedrons and it expresses the Geometric Octave Principle. The Fruit of Life is the pattern of the third dimension by which we overlap the Platonic solids, the Star Metatron is the star of life that emerges when we imbricate harmonically all the Platonic solids and create a Mother Star. This star contains and is able to organize the frequency and speed of the waves/events. Finally, as the ultimate expression, from the extension of the lines of the Seed of Life arises the Flower of Life, which is the most refined expression of creation. It contains holographically all the Platonic solids and all the before-mentioned figures.

In the first course of Psychogeometry, we draw these figures and create greater interconnectivity between both cerebral hemispheres. The Flower of Life invites us to awake our objective vision of reality.

    Seed of Life – Tetrahedral Star

Flower of Life = Accumulation

The pattern of the Flower of Life is a pattern of reproduction of the Toroid, symbolized by a circle which forms an hexagonal matrix. It serves to contain, accumulate and solidify the life created by the Pentaflower, by the Fibonacci numeric sequence. The Flower of Life is a rather ancient symbol used in many cultures at different times and latitudes. It symbolizes the capacity of life to reproduce and sustain itself since its structure contains the binomial numeric sequence, that one which follows cellular life when it starts reproducing, from 1 to 2, then to 4, 8, 16, 32, etc. This sequence does not create life; the Flower of Life does not create or distribute it, far less produce a flow of abundance or a cyclic movement, but it contains everything generated by the Pentaflower. It is the symbol for excellence of the hermetic schools, of the occult schools that accumulate knowledge, that enclose it. Geometrically, the Flower of Life is a cube seen from an isometric perspective of 30 degrees. The cube does not contain phi or the golden number, but it does have the roots of 2 and 3 which structure and reproduce life.

While the Pentaflower creates a zero point, a vortex of implosion and explosion, it orders and distributes life (represented by the open societies of knowledge with free access). The Flower of Life reproduces this creation and gives it infinite possibilities of geometric manifestations such as the Platonic solids and the Archimedean solids, among others.

Seed of Life - Genesis

Flower of Life 2nd Circuit

Flower of Life = 3rd Circuit

 

Flower of Life = 4th Circuit

Flower of Life = Finished Pattern

The Tree of Life is one of the oldest geometric figures that have been used by humanity. Geometrically, it is formed by a tetrahedron, hexahedron and dodecahedron. The Kabalists have dedicated to its study. It represents a code that gives us the guideliness of evolution, which have been kept in secret in the circles of power.

Each one of the vertexes of the Tree of Life symbolizes a sefirah for the Kabalists. Each sefirah is one attribute of God. In Psychogeometry we study the origin and the geometric implications of this figure, not only from a kabalistic viewpoint but also from a psychological perspective linked to our body by means of three systems: the digestive, endocrine and nervous.

The process of life creation has been described throughout humanity history by different cultures. Some have sown their knowledge in a geometric synthesis. The lines as exposed below can be found across all latitudes and throughout all times.

The Fruit of Life – Unfolding of the Geometric Group Theory

The Egg of Life –Octave Principle of Music

Platonic Solids

The five Platonic solids, so called because Plato was the first to write about them, have the characteristic of being three-dimensional bodies with regular faces. The regular faces are polygons whose sides are equal, as in an equilateral triangle, a pentagon or square. The five Platonic solids are the basis of the construction of matter and they are related to our conscience through the five command centers. The solids are the following: the tetrahedron (4 triangular faces), the icosahedron (20 triangular faces) and the dodecahedron (12 pentagonal faces).

 

Moreover, we can relate each one of the five Platonic solids with the terrestrial reticules and the Five Elements of Chinese tradition, as follows (from left to right):
        * Tetrahedron: Fire
        * Hexahedron: Earth
        * Octahedron: Air
        * Icosahedron: Water
        * Dodecahedron: Wood

Mathematicians have discovered that the Golden Mean Ratio is present in three of these five Platonic solids: in the octahedron, dodecahedron and icosahedron.

In the interior of the dodecahedron and icosahedron, we can draw three golden rectangles. They are located in such a way that their corners touch all the central points of the pentagonal faces of the dodecahedron and all the vertexes of the icosahedron. Moreover, it is important to mention that if we extend the vertexes of the dodecahedron or icosahedron, we will get its reciprocal. In other words, if we extend the vertexes of the dodecahedron, we will have an icosahedron, and if we go on doing so, we will have a dodecahedron in the following dimension and in that way infinitely inwards, or infinitely outwards. This principle of fractal recurrence shows us the guideline of the creation of the Universe.

Therapy with Polyhedrons (Platonic solids + Archimedean solids, among others)

"There are many types of therapies that influence the different bodies of the human body. Psychogeometry focuses on “fractalize” or readjust the geometric geography of the subtle bodies of the human being in order to create greater harmonic inclusiveness. It promotes the natural dynamics of the vortices of implosion/explosion in the gravitational body and seeks to rearrange the frequency patterns of the electromagnetic body. The therapy with Psychogeometry is a way to reestablish the electromagnetic polarity and create the nesting of gravitational fields in the human body. The electromagnetic body can be treated with emissions of light, high or low frequency sounds, while the gravitational body can be treated with polyhedrons (geometric forms in 2 or 3 dimensions).

In the psychogeometry of the body we basically have a central, vertical toroid called Major Toroid which links the thirteen horizontal toroids in the gravitational body. These thirteen toroids are linked with the thirteen Archimedean solids. Gravity compresses the body, wants its maximum level of ordering and, thus, the greater level of fractality; the test to pass here is to be able to order a greater number of experiences without generating heat, without friction. On the other hand, we have an electromagnetic body that feeds on different frequencies, electrical as well as magnetic, from its inside and background. IN addition, it is regulated by the system of five horizontal toroids, the meridians of acupuncture and the Nadis, among others.

The central difference between both bodies is that the electromagnetic body, which has negative or positive polarity, tends to chaos and needs to be fed on electromagnetic fields of greater coherence and of light and sound frequencies with sustainable proportions, while the gravitational body tends to the order, but it needs to fix a point of attraction, a zero point on which the gravitational fields can nest: if it does not have a point of implosion/ explosion to suction the voltage of the electromagnetic body more rapidly than the speed of light, gravity cannot be produced. Our DNA is the mechanism able to achieve this great deed.

This does not mean that the polyhedron heals the person. The polyhedron helps the gravitational body to remember the lost way. It can even happen that our own gravitational field brings a long wave into the gravitational body of another person, in this case the polyhedron serving as a “crutch”, i.e. a trigger of the inherent fractality in the human body, in the cosmic wisdom that is contained in each part of our body.

To measure how the therapy of polyhedrons impacts, we can use tools of biofeedback, which is an alternative kind of medicine that involves the measurement of corporal functions of the individual such as blood pressure, heartbeat, internal heart coherence, temperature and sweating, muscular tension or brain activity. These measurements are made in real time and, sometimes, are used for the person to recover conscience of his unconscious activity.

We have used the systems called Hearttuner and Blisstuner in order to see the body responses to the arrangement of geometry and the irradiation of the gravitational and electromagnetic bodies of a person. The Hearttuner and Blisstuner measure the waves of the heart and brain, respectively. These systems were conceptualized by the researcher D. Winter, and developed by the engineer. F. Bovenkamp. The Hearttuner, contrary to other measuring systems, is a device that measures the internal coherence of the heart waves, the HRV or Heart Rate Variability, which is the medical definition for health. In other words, that is the capacity of the heart to expand in a greater range of frequencies. That is the power to inhabit a greater number of waves and emotions, events and energy. Besides the HRV, we measure the IC or internal coherence. The points where the IC increases or the HRV goes up are the spots where the heart is saying that it needs this or that kind of geometry.

The integral system is called CAS or Coherent Analysis System and searches for the interconnection between the waves of the brain and heart. The brain waves are mounted on the heart voltage, on the electromagnetic waves of the heartbeat. When both waves link each other adequately, we get a record of frequencies similar to a winding caduceus that implodes the external energy inwardly, nourishing the DNA."

In the image below we can see geometric forms re-establishing the level of harmonic inclusiveness in a person. This photograph was taken in the office of a friend and colleague, Dr. Santiago Córdoba.

Mother Star or Star Metatron

In the animation below we can see the Mother Star or Star Metatron. It shows the five Platonic solids, one inside another, in a space of perfect fitting. From inside outwards, we can observe the yellow dodecahedron, the icosahedron in light blue, the green octahedron, the rose tetrahedron and the black hexahedron or cube. This pattern of nesting allows the waves/events to fit towards the centre of gravity of matter without self cancelling or cancelling other waves/events. In psychogeometry we use a therapeutic technique that let us arrange the painful events of our life in a similar pattern, so the event can be sorted out in our internal scenery of conscience and arranged in such a way that it will not generate an internal confrontation. The solution of the conflict does not lie only on being aware of the conflict, but on applying this conflict in a geometric structure that reestablishes our inner peace.

This form is the exact nesting of the atomic array of the nucleus and its relation with the electronic orbits as it was shown by Dr. Moon in the 80’s. That is the form of the atom of gold and palladium. That is why they distribute electric charge so efficiently that it can be dissolved when it is a monatomic in water and thus in blood, increasing the level of harmonic inclusiveness of waves for the reestablishment of the fractal geometry of the universe

 

 

 

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Article.  "Which is the Origin of Gravity?"

    * Author: Dan Winter, original English article here
    * Compilation and translation: Carlos for Psychogeometry Mexico
    * Collaboration: Ninón Fregoso and Arturo Ponce de León

    Einstein postulated the equivalence between mass and energy through his famous formula E=mC², whose practical application tragically experienced humanity through the creation (and detonation) of nuclear weapons during the 20th century. It is a fact that matter is made of energetic packages highly organized that possess, on one hand, the essential characteristics of energetic dynamics (ondulatory movement) and, on the other hand, the essential characteristics of matter (mass). The mass was associated qualitatively to gravity by Isaac Newton, in his famous Law of the Universal Gravitation. However, its nature has remained till today as a great mystery of science.

    Dan Winter has proposed that the geometric organization of the energy constituting matter is what generates the essential characteristics of it, including gravity. In some types of phi-based (1.618033, Golden mean ratio) geometric configurations, known by humanity for long and generally present in Nature, we can find centers of energetic concentration called “points of implosion” present in a spontaneous, repetitive and coherent way. Their capacity of suction and arrangement of energy is directly related to the “similarity” that the geometric body that contains them has with the form of the universe. This similarity relation is referred to as "self recurrence" or "fractality". At an atomic level, implosion provides the necessary convergent force to stabilize the rotational, ondulatory movement called “mass”.

When simply defining mass as the resistance to the position change of ondulatory packages in rotation, it turns to be evident that a law of geometric type is required so as to explain the reason of such wave resistance to the change of position.

    Einstein called this unsolved problem “the geometric model of the infinite non-destructive compression." The answer: take off the tap (point of implosion) to provide the electric charge with a channel of escape at the speed of light through a process of recurrent additive (heterodynamic) multiplication.

    Einstein argued that acceleration is due to gravity, this one being for years the only measurable thesis in relation with the nature of gravity. However, we now know that it is the acceleration of the electric charge at the speed of light that creates gravity, the accelerator being the ondulatory constructive interference of the phase speeds when the centers of charge/mass get in a self-recurrent geometric pattern.

    The test: the capacitive charge, arranged in phi-based, self-recurrent geometric arrays, creates gravity.

   In the 19th century Michael Faraday, better known as “the father of electricity”, argued that “the electric capacitance is to gravity as inductiveness is to magnetism.” If Faraday is right, the electric charge stored in a capacitor shows the form of a gravitational field. Townsend Brown found in an experiment that, in a charged capacitor, the resulting gravitational force is oriented to its positive plate; thus, if the positive plate lies on the negative one, the device loses weight. However, it weighs more if the position is inverted.

    The amount of gravity in an atom (or anywhere else) is in proportion to the relative quantity of self similarity (fractality) between the interior (nucleus) and the exterior (electrons).

    The proportion between the recursiveness of charge under your feet and above your head is the amount of gravity that you feel.

    There is a strong controversy among some members of the international scientific community about Dan Winter’s research and postulates with respect to the relation “cause-effect” between the acceleration of the electric charge and gravity. Nonetheless, there is not currently any other scientific explanation to the origin of the gravitational phenomenon. The fact is that, when developing this theory into practical applications, the possibilities can be impressive: for example, anti-gravitational devices, acquisition of electric matter energy by means of geometric patterns, and space travels at high speeds.

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   Sacred Geometry Decalogue

    From a poem of Dan Winter’s second book “The alphabet of the Heart of the Earth”.
    Translated into Spanish and edited by Arturo Ponce de León.
Using Pentagonal Geometry to Explore Inner Space

Part Zero - The Physics of Magick

The Emerald Tablet of Hermes, a first century A.D. alchemical text, attempted to express ancient Egypt's scientific wisdom in a few pithy lines of metaphorical and metaphysical symbology, suited of course for the educated Egyptian, or Greek or Roman philosopher/magician of the day. Its insight is still breath-taking, if one has the key to the symbolism; if not, its obscurity is profound. Since few of use have the world-view of an Alexandrian mage, a simple how-to of magickal philosophy, in modern scientific terms, seems to e absolutely necessary. Science is the magician's willful apprentice, Magick's lost step--child/prodigy, who has learned one trick, and therefore must compulsively repeat that trick, without knowing how to stop itself. To understand Magick, we must reclaim science as the observational and experimental tools needed to apprehend the true vastness of the Universe.
And so, with a nod to the real geniuses (Winter?) who figures out what I am about to simplify, let's take a stab at a new Emerald Tablet:

(This became a poem in Dan Winter's 2nd book: Alphabet of the EarthHeart , Illustrated thanks to Vincent & Darlene's editing)

1) THE UNIVERSE IS MADE OF ONE SUBSTANCE

We all know the basic formula for this one ­­ E=MC2.
Matter is just a lot of energy moving so slowly that we can touch it and sit on it. energy is just a little bit of matter moving so fast we have trouble finding it. They are polarities of the same substance, which is flowing or moving as different rates, constantly. This very compressibility is what stores form and memory in its wave shape.

2) THE UNIVERSAL SUBSTANCE HAS ONLY ONE WAVE SHAPE -- THE SINE WAVE

The Fourier principle of frequency signature transformation means that even the most complex shape is a simple sum of sine waves of different lengths.

3) THE UNIVERSE CAN BE DESCRIBED AS A GEOMETRY OF PRESSURE

Geometry can be thought of here as the basic creation of symmetry. Any symmetrical structure creates a place where meeting waves, those traveling in opposite directions, can stand, that is, to phase and phase-lock. Standing waves give the illusion of solidity, which is the segregation of momentum that makes possible the birth of matter. Pressure occurs where waves meet.
Only ration is sacred; scale is mundane. Information is the only universal in our hologramic universe, every part contains the information of the whole. Sharability, the way converging waves create sustainable forms, then becomes a property of inherent structure emerging naturally from the process itself.

In a world made only of waves, there would be just two geometric forms, the torus, or vortex, and the golden mean spiral. the donut, torus, form is the only structure in a world of waves that can become coherent, that is, retain a regular shape like a smoke ring. As more of these smoke rings are created and they want to relate to the first smoke ring, they must "nest" in the right pattern so that they can remember their form and still share structure. the best pathway for doing this is the ratio we call the golden mean.

Only a form of Golden Mean symmetry will allow converging waves to add and multiply at the same time. Only in this way, in this shape, can waves nest together without interfering with each other and canceling out their memories. A Golden Mean spiral can nest triangles, Squares and five-sides figures, crating a dodecahedron as it does,. the dodecahedron is the perfect Golden mean nest for turning information into coherent structure. That's why it is also the pattern of the braided DNA molecule. The Golden Mean happens, the icosahedronal donut and the dodecahedronal donut generate the only other two naturally occurring numbers: Pi and E.

From this simple shape, and these three irrational, but naturally occurring numbers, the universe is built. No wonder the ancient Egyptians called these qualities the cosmological Neters or forces.

4) FOCUS IS THE ONLY MEDIUM THAT CREATES IN A UNIVERSE OF WAVES
Focus, directed intensity of consciousness, occurs when the excited nests of smoke rings become fractally attractive along the patterns created by Phi, Pi, and E. When this happens they also become matter, and the attractive quality is then seen as gravity. Intention, like gravity, is a lens that bends light. Focus in the form of the great geometric archetypes generates a sense of symbolic "gravity."

5) SHAPE IS THE ONLY THING THE UNIVERSE HAS TO CONSERVE. ALL QUALITATIVE CHANGES COME FROM DIFFERENCES IN SHAPE, NOT SUBSTANCE

Everything in our world, all matter, that is, all fractally attractive patterns of informational density, is composed of atoms, which are described by physics as a nucleus surrounded by electrons in so-called orbital shells. These shells are the pattern, the shape or ratio, which is the only thing the universe must conserve, in order to know itself. These shells or shapes are formed by the nestings of energy donuts or smoke rings. the Atomic Table then becomes a simple set of wave patterns, describing valency as symmetry. Everything can be created from the nesting of one donut, with a pair of vortices; three donuts, with six single direction vortices; five donuts, with ten vortices; and seven donuts, with fourteen vortices. Count the vortices and you have the number of electrons in each orbital shell.

These patterns form regular shapes, called the Platonic solids because Plato was the first to write about them: the tetrahedron, on pair of vortices; the octahedron/cube, three pairs; the dodecahedron, five pairs; and the icosahedron, seven pairs. These basic shapes are important in transmitting the very waves structure of matter, best understood as templates that generate the focus of intensity necessary to become fractally attractive, that is, bend the straight energy flow of light into a circle of atomic structured matter.

6) THE ONLY WAY TO CONSERVE SHAPE ALONG A PATH IS TO MAINTAIN THE NEST OF RATIOS CONTAINING LENGTH, BREADTH AND VOLUME

The most elegant nest of ratio are those that intertwine Phi, Pi, and E, such as the DNA spiral. We can think of this as simple proof that DNA is a structure that is codes to transmit information along the pathway of temporal evolution of physical life forms on the planet. All life forms on the surface of the planet are the instruments and actors of an ancient epic opera hard-wired into the structure of our cells.

7) THE BEST PATHWAY TO MAINTAIN A NEST OF RATIOS IS THE GOLDEN MEAN

Wratcheting a cube five times at 32 degrees in the same visual space creates a dodecahedron. Wratcheting a dodecahedron 32 degrees gives the powers of Phi; Phi squared, cubed, etc. The Golden mean pathway enables information (shape) to be moved without loss of momentum (mind). The closer we can come to forming this shape and path, the grater our conductivity, that is, the more energy can flow through us. As we focus our intensity on these shapes and flow patterns, we create a sort of super conductive, super coherent energy exchange.

8) COHERENCE AT ANY LEVEL IS COHERENCE AT AL LEVELS.

An orderly arrangement between wave lengths establishes a connection between frequencies and fields. But for this connection to last, it must resonate to all frequencies and fields. This can only be accomplished through the resonate structure of golden mean pathways. This harmonic cascade of inter-connected-ness is the structure of our hologramic universe, perceptible as ecstasy.

9) DNA IS THE SEED CRYSTAL OF THE HIGHER DIMENSIONAL LIGHT BODY.

DNA, a perfect Phi structures crystal connecting long waves and short waves, is a three-dimensional patterns designed to transmit information, in the form of living being, through time and space, the fourth dimension. Its goal seems to be the creation of a fifth dimensional intelligence, one capable of phase-locking with the information of the universe stored in the crystaline coding of the DNA geometry.

10) LIGHT, WHEN FOLDED BACK ON ITSELF, COMES TO KNOW ITSELF.

A fifth dimensional awareness, which we can categorize as one that sees all space and time, energy and matter, as components of the original wave form, bends Light into the circle of self-awareness. This creates the rich blue/UV explosion of energy that accompanies the rise of Kundalini, the phase-lock of biological energies into the flow of the universal information energy stream. This enfolded-ness creates enlightenment, a state where the awareness of the universal mind meets itself at every wave junction.

®COPYRIGHT. All rights reserved. Author: Arturo Ponce de León. Collaboration: Ninón Fregoso. License granted to reproduce the content on this site only if the source is quoted and text integrity is unaltered.

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